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Pour des raisons indépendantes de notre volonté, les représentations du spectacle Cyrano ne pourront pas avoir lieu.
Si vous aviez pris des billets pour le spectacle, l’équipe de billetterie vous a contacté pour vous proposer de reporter vos places sur un autre spectacle de la saison ou de vous rembourser.
La billetterie est atteignable du mardi au vendredi de 13h à 18h, les samedis de représentation de 13h à 18h et 1h avant le début des représentations.

Chef-d’œuvre du répertoire qui parle d’amour dans une langue vive et inventive, Cyrano de Bergerac est souvent cantonné à être le morceau de bravoure d’un acteur de type « monstre sacré ». Pour le faire entendre et le partager autrement, Lola Giouse rassemble un collectif d'actrices libres et puissantes : ensemble, elles révèlent la richesse nuancée des personnages dits secondaires et exposent les merveilles des punchlines en alexandrin, mises au service de tous et toutes et non d'un seul – pour éteindre la fascination et embrasser pleinement des relations choisies."},"attributesType":{"content":{"type":"string","default":""},"lock":{"type":"object"},"className":{"type":"string"},"metadata":{"type":"object"}},"dynamicContent":null},{"innerBlocks":[],"name":"supt/falc-description","postId":71171,"order":1,"get_parent":{},"attributes":[],"attributesType":{"text":{"type":"string"},"lock":{"type":"object"},"className":{"type":"string"},"metadata":{"type":"object"}},"dynamicContent":null},{"innerBlocks":[],"name":"supt/header-list-anchor","postId":71171,"order":2,"get_parent":{},"attributes":{"ticket":null,"anchors":[{"id":1,"href":"#artistes","title":"L'artiste"},{"id":2,"href":"#generique","title":"Générique"},{"id":3,"href":"#Représentation-Relax-du-spectacle","title":"Représentation Relax"}]},"attributesType":{"lock":{"type":"object"},"className":{"type":"string"},"metadata":{"type":"object"}},"dynamicContent":null},{"innerBlocks":[{"innerBlocks":[],"name":"supt/header-practical-info","postId":71171,"order":0,"get_parent":{},"attributes":{"title":"Tarifs à choix et solidaires","text":"Tarif suggéré pour ce spectacle 30.-

Vidy à ton prix
Choisissez en fonction de vos possibilités.
10.-*/15.-/20.-/25.-/30.-/40.-/50.- CHF
*Moins de 26 ans"},"attributesType":{"title":{"type":"string"},"text":{"type":"string"},"opened":{"type":"boolean"},"lock":{"type":"object"},"className":{"type":"string"},"metadata":{"type":"object"}},"dynamicContent":null},{"innerBlocks":[],"name":"supt/header-practical-info","postId":71171,"order":1,"get_parent":{},"attributes":{"title":"Audiodescription","text":"Le 11 mai à 16h

Audiodescription en direct par Paulo Dos Santo et Salma Gisler précédée d’une visite tactile du décor à 14h30.

Tarif à choix pour les personnes en situation de handicap visuel, gratuité pour l’accompagnant·e.
Réservation auprès de la billetterie du théâtre par téléphone au 021 619 45 45 ou par courriel à billetterie@vidy.ch
Sur demande, nous venons vous chercher à l’arrêt de bus.

Cette mesure d'accessibilité est réalisée par l'association So Close avec le soutien de la Ville de Genève, de la Loterie Romande et de la République et le canton de Genève."},"attributesType":{"title":{"type":"string"},"text":{"type":"string"},"opened":{"type":"boolean"},"lock":{"type":"object"},"className":{"type":"string"},"metadata":{"type":"object"}},"dynamicContent":null},{"innerBlocks":[],"name":"supt/header-practical-info","postId":71171,"order":2,"get_parent":{},"attributes":{"title":"Représentation Relax","text":"Dimanche 11 mai

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Dimanche 11 mai dès 16h

Vous souhaitez assister au spectacle et faire garder vos enfants le temps de la représentation ? Des garderies d’art et de bricolage sont mises en place au théâtre sur certaines représentations.
dès 4 ans

Réserver"},"attributesType":{"title":{"type":"string"},"text":{"type":"string"},"opened":{"type":"boolean"},"lock":{"type":"object"},"className":{"type":"string"},"metadata":{"type":"object"}},"dynamicContent":null}],"name":"supt/header-metas","postId":71171,"order":3,"get_parent":{},"attributes":{"metas":["Salle 64, Charles Apothéloz","Du 5 au 11 mai 2025","Durée: ~2h00","Dès: 12 ans"],"genres":[],"thematics":[{"id":14554,"slug":"resistances-et-reparations","title":"Résistances et réparations","link":""},{"id":14544,"slug":"se-rassembler","title":"Se rassembler","link":""}],"publics":[{"id":10134,"slug":"acces-pmr","icon":{"src":"/wp-content/uploads/2022/11/PMR.svg","width":"35","height":"25","alt":""},"title":"Accès PMR","link":null},{"id":10818,"slug":"boucle-magnetique","icon":{"src":"/wp-content/uploads/2023/01/boucle.svg","width":"35","height":"25","alt":""},"title":"Boucle magnétique","link":null},{"id":10140,"slug":"spectacle-audiodecrit","icon":{"src":"/wp-content/uploads/2022/11/Plan-de-travail-6-06-06.svg","width":"35","height":"25","alt":""},"title":"Spectacle audiodécrit","link":null},{"id":10160,"slug":"spectacle-sonore","icon":{"src":"/wp-content/uploads/2022/11/mal-voyant-01.svg","width":"35","height":"25","alt":""},"title":"Spectacle sonore","link":null}]},"attributesType":{"lock":{"type":"object"},"className":{"type":"string"},"metadata":{"type":"object"}},"dynamicContent":null}],"name":"supt/header-b","postId":71171,"order":0,"get_parent":{},"attributes":{"image":{"id":"71170","src":"/wp-content/uploads/2024/10/05083140-37c8-4c70-8ae8-a272d066a1ce.png","width":"559","height":"560","alt":"Vidy - Lola Giouse Cyrano de Bergerac"},"uptitle":"Lola Giouse","title":"Cyrano de Bergerac - Annulé","subtitle":"d'Edmond Rostand"},"attributesType":{"image":{"type":"object"},"uptitle":{"type":"string"},"title":{"type":"string"},"subtitle":{"type":"string"},"lock":{"type":"object"},"className":{"type":"string"},"metadata":{"type":"object"},"schedule":{"type":"object"}},"dynamicContent":null},{"innerBlocks":[{"innerBlocks":[],"name":"core/html","postId":71171,"order":0,"get_parent":{},"attributes":{"content":"

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Texte de présentation

\n"},{"innerBlocks":[],"name":"supt/introduction","postId":71171,"order":1,"get_parent":{},"attributes":{"content":"Par Lola Giouse"},"attributesType":{"content":{"type":"string","default":""},"lock":{"type":"object"},"className":{"type":"string"},"metadata":{"type":"object"}},"dynamicContent":null},{"innerBlocks":[],"name":"supt/paragraph","postId":71171,"order":2,"get_parent":{},"attributes":{"content":"Je ne pensais vraiment pas qu’un jour, j’aurais la volonté de créer une pièce à partir d’un texte classique. Au sein de la compagnie théâtrale la Division de la Joie, j’ai eu jusqu’ici, l’envie d’inventer des histoires qui soient à nous, sortant alors, pour cela, (physiquement) des théâtres. Raconter les histoires qui n’étaient pas encore écrites, qui dessinaient les contours du monde tel que nous le voyions avec nos jeunes yeux contemporains et posait les jalons de celui dont nous rêvions. Surgit maintenant le désir de faire se frotter nos utopies à celles qui les ont précédées, de relier nos rêves et nos fictions au terreau qui les a fait germer. Raccrocher les wagons des luttes entre elles et la proposition de mondes nouveaux avec la réalité de ce qui a été et perdure encore.
Aujourd’hui, avec Cyrano de Bergerac, j’ai envie de poursuivre la recherche que nous menons d’un théâtre populaire contemporain de qualité, en ramenant dans la salle de théâtre les outils d’improvisation, de rapport au public et au présent que nous avons développés à l’extérieur.
L’œuvre phare de Rostand, hit théâtral et chef-d’œuvre pop absolu, me semble donc une évidence. Les alexandrins sont fluides, rythmés et musicaux, les mots sont plutôt simples, on n’est pas chez Racine, encore moins chez Corneille, les punchlines claquent, on en connaît certaines par cœur, on s’approche parfois de très près du battle de rap, l’histoire est prenante, une intrigue géniale compréhensible par tou.x.te.s.
Cyrano de Bergerac vient vraiment du passé. D’abord, c’est une pièce historique, son intrigue se déroulant presque deux cents ans avant sa date d’écriture. Ensuite, elle est aujourd’hui très imprégnée (et même engorgée) dans l’inconscient collectif francophone, par l’interprétation qu’en fit Gérard Depardieu (aujourd’hui accusé de viol et d’agression sexuelles par plusieurs femmes) dans le film éponyme de Jean-Paul Rappeneau en 1990. Il me semble donc absolument nécessaire d’inventer une autre manière de traverser cette œuvre que de la réduire au morceau de bravoure d’un acteur de type « monstre sacré ».
 Les changements esthétiques profonds ne peuvent advenir, selon moi, qu’au travers de changements radicaux dans les processus de travail. Ce que je veux considérer comme politique, en premier lieu, au théâtre, c’est la manière de créer et non ce que je montre sur scène.
Mon expérience d’actrice, conjuguée à celles de mes collègues, me mène à penser que, dans ce genre de pièces construites autour d’un rôle-titre masculin (souvent issu d’une classe sociale dominante), la hiérarchie entre les rôles se retrouve presque toujours, par ricochet, au sein de l’équipe de création. L’accès à la parole, la place faite dans le groupe, en salle de répétitions ou à table à la pause de midi, ne sont pas les mêmes si l’on joue le personnage de Cyrano ou celui d’une des nonnes du cinquième acte.
J’aimerais donc travailler à déconstruire la traditionnelle propriété du rôle par les acteurices. En partant d’une vision de la pièce moins centrée sur les parcours individuels que sur un groupe s’emparant d’une fiction. Il va donc s’agir de partager et morceler toutes les figures de la pièce pour pouvoir porter collectivement la responsabilité de sa narration et se concentrer moins sur leur personnalité que sur leur rapport différent au langage : celui de Roxane, très lié au désir et à la sensualité, proche d’une forme de sapiosexualité ; l’illégitimité à s’exprimer de Christian puisqu’issu d’un milieu social moins élevé et plus provincial que les autres ; l’immense maîtrise de la rhétorique de Cyrano qui le conduit aussi bien à inventer de sublimes manières de parler d’amour et de politique, qu’à prendre le pouvoir de manière très violente, à coloniser le silence et à détruire son interlocuteur avec ses mots.
Se désintéresser de la monstration de personnages bien définis (et dans \"définis\" il y a \"finis\") pour pouvoir affirmer que l’identité est un voyage, une succession non-linéaire d’états, de lutte contre les conditionnements, de réactions, de décisions et d’imaginaires."},"attributesType":{"content":{"type":"string","default":""},"lock":{"type":"object"},"className":{"type":"string"},"metadata":{"type":"object"}},"dynamicContent":null},{"innerBlocks":[],"name":"supt/quote","postId":71171,"order":3,"get_parent":{},"attributes":{"content":"

Refuser de montrer une continuité cohérente de caractères car elle nous empêcherait de penser que l’on peut toujours changer, transitionner, se révolutionner un jour.

","author":"","detail":""},"attributesType":{"content":{"type":"string","default":""},"author":{"type":"string","default":""},"detail":{"type":"string","default":""},"lock":{"type":"object"},"className":{"type":"string"},"metadata":{"type":"object"}},"dynamicContent":null},{"innerBlocks":[],"name":"supt/paragraph","postId":71171,"order":4,"get_parent":{},"attributes":{"content":"Je veux donner à voir un groupe puissant d’interprètes majoritairement féminines (pas intégralement car l’une de ces personnes a, depuis la naissance du projet, migré vers le genre masculin). Des interprètes qui sont des gens que j’admire et dont je voudrais célébrer au plateau la pensée, la créativité et la singularité, en leur confiant le contrôle et la responsabilité de l’ensemble des outils théâtraux mis en jeu. La musique originale sera composée par l’artiste Emilie Zoé et jouée sur scène par toute l’équipe. Les éclairages très bruts du spectacle, qui constitueront l’élément majeur de la scénographie créée par Mathilde Aubineau, issus des mondes des chantiers et du cinéma, seront manipulés au fil de la représentation par les acteurices. Il en ira de même pour la vidéo, parce que voir des femmes maîtriser des outils techniques, se mettre, littéralement, en lumière et images par elles-mêmes, ne pas se laisser regarder mais bien se donner à voir en conscience pourrait permettre de sortir un peu du male gaze et de la scopophilie, dont on finit vraiment par avoir fait le tour, je crois, pour être enfin des artistes créateurices à part entière. Je veux aussi, au fil des répétitions, créer un système d’entraînement à l’improvisation en alexandrins. La possibilité d’improviser me semble en effet essentielle pour arrimer une œuvre d’art vivant au réel, pour donner à ce dernier la possibilité de faire irruption dans la fiction et de l’enrichir. Il s’agit là aussi d’une conquête de puissance : développer avec chacun.ne une auto-dramaturgie assez forte pour être capables d’une attitude accueillante et non apeurée face à l’inattendu.
Car c’est bien cela que je voudrais représenter : des personnes libres et puissantes sur scène. Je veux créer la pièce que j’aurais voulu voir, adolescente, en sortie scolaire, au théâtre. Car il est bien clair que Cyrano de Bergerac est une œuvre star des écoles et que le public auquel on s’adresse en la montant sera en partie constitué de classes. Moi, j’aurais rêvé qu’on me montre, à la place de spectacles poussiéreux, patriarcaux ou empreints d’un féminisme victimisant, des œuvres avec des femmes qui désirent, qui exultent ensemble, qui décident, jouissent et inventent. J’aurais aussi voulu voir représentées, au moins une fois, des formes d’amour qui sortent du schéma hétérosexuel. J’aurais voulu qu’on me montre que je pouvais espérer plus qu’un vague droit au consentement dans mes rapports amoureux et sexuels, que j’avais moi-aussi le droit de vouloir, le droit d’aspirer à ce que l’amour soit toujours la rencontre de deux désirs mutuels (ou plus). Qu’on me dise que si j’allais, en tant que fille, devoir apprendre à dire non, à me défendre, j’allais aussi devoir construire par moi-même ma possibilité de connaître et d’exprimer mon désir, de dire un vrai oui, sans craindre d’être pour cela taxée de salope.
Alors maintenant, avec cette pièce, je veux faire ça. Rassembler les réalités de Roxane, de ma grand-mère, de Christian, des artistes de l’équipe, de Le Bret, de l’adolescente que j’étais, de Cyrano, de la personne que je suis aujourd’hui, de Rostand et de nos futur.e.x.s spectateur.ice.x.s, pour considérer ensemble ce qui était, dire oui à ce qui vient, à ce qu’on veut et, au reste, « non merci »."},"attributesType":{"content":{"type":"string","default":""},"lock":{"type":"object"},"className":{"type":"string"},"metadata":{"type":"object"}},"dynamicContent":null}],"name":"supt/subsection-centered-text","postId":71171,"order":2,"get_parent":{},"attributes":[],"attributesType":{"author":{"type":"string"},"lock":{"type":"object"},"className":{"type":"string"},"metadata":{"type":"object"}},"dynamicContent":null}],"name":"supt/section-rich-content","postId":71171,"order":1,"get_parent":{},"attributes":{"variant":"dark","isCropped":"true","nbBlocksWhenCropped":3,"openButtonTitle":"Découvrir","closeButtonTitle":"Fermer"},"attributesType":{"anchor":{"type":"string"},"variant":{"type":"string","default":"dark"},"title":{"type":"string"},"uptitle":{"type":"string"},"introduction":{"type":"string"},"isCropped":{"type":"boolean","default":"true"},"nbBlocksWhenCropped":{"type":"number","default":1},"openButtonTitle":{"type":"string","default":"Découvrir"},"closeButtonTitle":{"type":"string","default":"Fermer"},"lock":{"type":"object"},"className":{"type":"string"},"metadata":{"type":"object"},"schedule":{"type":"object"}},"dynamicContent":null},{"innerBlocks":[],"name":"supt/section-dates-times","postId":71171,"order":2,"get_parent":{},"attributes":{"title":"Dates & horaires","anchor":"dates-horaires","rows":[]},"attributesType":{"isOpened":{"type":"boolean","default":false},"title":{"type":"string"},"anchor":{"type":"string"},"lock":{"type":"object"},"className":{"type":"string"},"metadata":{"type":"object"},"schedule":{"type":"object"}},"dynamicContent":null},{"innerBlocks":[],"name":"supt/section-artists-slider","postId":71171,"order":3,"get_parent":{},"attributes":{"anchor":"artistes","title":"L'artiste","isOpened":true,"showBio":true,"artists":[{"id":18209,"name":"Lola Giouse","image":{"src":"/wp-content/uploads/2024/06/lola-giouse-03-claudia-ndebele.jpg","width":"1280","height":"1920","alt":""},"role":"Comédienne et metteuse en scène","desc":"Actrice et metteuse en scène, Lola Giouse se forme au Conservatoire de Genève puis à La Manufacture à Lausanne dont elle sort en 2015. Comme comédienne, elle joue notamment avec Émilie Charriot, Denis Maillefer, la compagnie italienne Motus ou encore Maya Bösch, Stefan Kaegi de Rimini Protokoll et Pascal Rambert. Également actrice de cinéma, elle reçoit en 2017 le prix Jeune Talent du cinéma international au FIFF de Namur. Elle est aussi dramaturge sur différentes créations. Avec sa compagnie La Division de la Joie, elle a présenté This is not a love song, sa première mise en scène et début d’un tryptique, en octobre 2020 au Théâtre St Gervais. Elle a créé avec Martin Perret la performance Take 6 pour le théâtre La Mama à New York. À Vidy, elle a joué dans Pièces de guerre en Suisse mis en scène par Maya Bösch (2019), dans Small g – Une idylle d’été d’Anne Bisang (2020) et dans Boîte noire de Stefan Kaegi (2021). À Vidy, elle présente en septembre 2023 la trilogie We’re Here et en décembre 2024 « … » Le spectacle qui écoute enfin la parole des enfants.","link":{"href":"/fr/artiste/lola-giouse/"}}]},"attributesType":{"anchor":{"type":"string"},"variant":{"type":"string"},"title":{"type":"string"},"uptitle":{"type":"string"},"introduction":{"type":"string"},"isOpened":{"type":"boolean","default":false},"query":{"type":"object"},"showBio":{"type":"boolean","default":false},"lock":{"type":"object"},"className":{"type":"string"},"metadata":{"type":"object"},"schedule":{"type":"object"}},"dynamicContent":null},{"innerBlocks":[{"innerBlocks":[{"innerBlocks":[],"name":"supt/paragraph","postId":71171,"order":0,"get_parent":{},"attributes":{"content":"à Danielle Barin
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Géraldine Dupla
Alexia Hebrard
Chloë Lombard
Safi Martin Yé
Marie-Madeleine Pasquier
Salou Sadras
Antje Schupp"},"attributesType":{"content":{"type":"string","default":""},"lock":{"type":"object"},"className":{"type":"string"},"metadata":{"type":"object"}},"dynamicContent":null},{"innerBlocks":[],"name":"supt/paragraph","postId":71171,"order":2,"get_parent":{},"attributes":{"content":"Mise en scène
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